However, the taut action and Vikander’s performance overshadow such weaknesses.
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Once the action slows, the characters haven’t been developed enough to warrant any interesting dialogue or connections. Along with some subpar CGI, the second act of the film drags. Most of these tend to be longer distance shots, but in today’s age of computer generated graphics, poor CGI is easy to spot and harder to forgive. Like many Marvel films, Tomb Raider focuses solely on the hero, or in this case heroine, and puts very little into the development of its villain.Īnother flaw in Tomb Raider is that the CGI is quite poor at times. Pictures, the distributor of the film, took a page from Marvel Studios – they have been chasing them as of late. This is never the best scenario with bad-guys, especially when the stakes are as high as they are in Tomb Raider. Essentially, Vogel is bland and only acts as a means-to-an-end for Croft. Walton Goggins (best known for his role in HBO’s Vice Principals) plays Mathias Vogel, a mid-level heel in the mysterious evil order known as Trinity. Unfortunately, the villain is boring, which stands out as a bit of a flaw. Whether it’s Vikander dangling from a rusted-out plane or chasing three thieves through the docks of Hong Kong, the action sequences are fresh enough – rarely feeling overdone.ĭaniel Wu in Tomb Raider (2018) – image for this review provided by Warner Bros. This style not only keeps the story motoring forward, it also keeps the audience glued to the screen. The majority of the action in Tomb Raider follow a tight, quickened pace. While the film’s opening ten minutes flows like molasses, the pacing eventually shotguns a Red Bull and flies into an action sequences right out of the recent Mission Impossible movies. Luckily, Tomb Raider never takes us anywhere close to Cupid’s arrow. Inevitably, this muddles down the plot and takes away from the overall enjoyment of the action. Too many times, romantic moments are shoehorned into movies. In Tomb Raider, there’s neither the time nor the chemistry for a romance. Not that there’s anything wrong with romantic moments in action movies, as long as it serves the story. What’s refreshing in Tomb Raider is that there’s no romance. But there is also a magnetism about her something that audiences can’t help but gravitate towards.ĭaniel Wu and Alicia Vikander in Tomb Raider (2018) – image for this review provided by Warner Bros. Not only is she an exceptional acting talent, she also holds that rare but much sought after appeal – you can’t take your eyes off her when she’s on screen. Vikander is a remarkable presence on film. Vikander’s Lara Croft is a steely eyed, quick witted, no nonsense woman one that wouldn’t think twice before putting an arrow through your heart or some other vital organ. And the movie works for one simple reason – Alicia Vikander. It won’t be winning any awards by any stretch of the imagination, but it a fun romp akin to the summer blockbusters we’re used to – albeit released in at the end of winter.
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But Lara can’t bring herself to do it, sparking a chain of events which leads our heroine to uncover the truth behind her father’s mysterious disappearance.Ĭlocking in at a brisk 118 minutes long, Tomb Raider is surprisingly entertaining.
TOMB RAIDER MOVIE 2018 IMDB FULL
Lara is consistently running away – her father (played solidly by Dominic West) had disappeared many years ago and she must accept his death in order to receive the full inheritance. She fills her days either taking a beating in an MMA ring or riding her bicycle through the busy streets of London as a courier.
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Tomb Raider, directed by Roar Uthaug, begins with our future adventurer Lara Croft, played exceptionally well by Academy Award Winner Alicia Vikander, living a poverty stricken life – desperately shying away from her wealthy parentage. Alicia Vikander in Tomb Raider (2018) – image for this review provided by Warner Bros.